In
the 1940’s Elmer T. Clark observed that is “a peculiar type of mind
which is convinced that God is interested in whether his worshipers sing
with or without instrumental music” (Small Sects in America, p. 16).
Clark’s words carry a twentieth century bias. The truth is that the mind
which he thought so peculiar was once dominant in “Christian” thought.
The use of musical instruments in the worship of the churches is a
relatively recent development. Most Protestant churches in America did
not yield to the practice until the nineteenth century.
The unadorned
simplicity of our spiritual singing is not a cultural statement but a
matter of faith — a response to the teaching of the New Testament.
The worship of the
Old Testament church with its complex rituals was not simple. During the
intricate rites of the temple sacrifices a Levitical chorus was
commanded to sing and a Levitical orchestra to play
(II Chron. 29:25-28).
But the New Testament refers to the appointments of temple worship as
“carnal ordinances, imposed until a time of reformation”
(Heb. 9:10).
This reformation is dramatically illustrated by the total absence of any
reference in the New Testament to Christians worshipping God with
sacrificial animals, incense, lamps, choirs, or orchestras. There is
only the admonition for the disciples to speak to each other and to the
Lord in “psalms and hymns and spiritual songs”
(Eph. 5:19; Col. 3:16).
Christian worship in
song is not a choral contest. Spiritual singing has spiritual ends.
Since God’s ways differ radically from our own
(Isa. 55:8-9)
it is of no
consequence that in the mind of some the absence of musical instruments
(or of devotional lamps and incense) diminishes the appeal of the
singing. What is important is that we have sufficient trust in God to
follow His instructions with the confidence that His methods achieve His
purposes.
The silence of the
New Testament on instrumentally accompanied singing has had its impact
in history. The early centuries not only reveal no use of instrumental
music in worship but an expressed opposition to it as belonging to the
spiritual infancy of the Old Testament church. Eusebius of Caesarea
(early 4th century), commenting on
Psalm 91:2-3:
“Of old at the time those of the circumcision were worshipping with
symbols and types it was not inappropriate to send up hymns to God with
the psalterion and kithara...We render our hymns with a living
psalterion and a living kithara with spiritual songs. The unison voices
of Christians would be more acceptable to God than any musical
instrument.”
Chrysostum (late 4th
century): “It was only permitted to the Jews, as sacrifice was, for the
heaviness and grossness of their souls. God condescended to their
weakness, because they were lately drawn from idols; but now, instead of
organs, we may use our own bodies to praise him withal.” Theodoret of
Cyrhus (early 5th century): “Question: If songs were invented by
unbelievers to seduce men, but were allowed to those under the law on
account of their childish state, why do those who have received the
perfect teaching of grace in their churches still use songs, just like
the children under the law? Answer: It is not simple singing that
belongs to the childish state, but singing with lifeless instruments,
with dancing, and with clappers. Hence the use of such instruments and
the others that belong to the childish state is excluded from the
singing in the churches, and simple singing is left” (Questions and
Answers for the Orthodox).
The Roman Catholic
Church continued this opposition at least until the time of Thomas
Aquinas (1227-1274) who wrote: “Our church does not use musical
instruments, as harps and psalteries, to praise God withal, that she may
not seem to Judaize.” The Greek Church (Orthodox) has never used musical
instruments. Several Protestant reformers held to the same sentiment.
Calvin wrote that “musical instruments in celebrating the praises of God
would be no more suitable than the burning of incense, the lighting of
lamps, and the restoration of the other shadows of the law” (Commentary
on Psalm 33). Wesley was more succinct: “I have no objection to
instruments of music in our chapels provided they are neither heard nor
seen.”
The use of
instruments in worship is not progress but a carnal retreat to spiritual
kindergarten. We should glory in the supreme spirituality of our
singing, sanctified by God and accompanied by the higher melody of our
hearts.
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