In 
		the 1940’s Elmer T. Clark observed that is “a peculiar type of mind 
		which is convinced that God is interested in whether his worshipers sing 
		with or without instrumental music” (Small Sects in America, p. 16). 
		Clark’s words carry a twentieth century bias. The truth is that the mind 
		which he thought so peculiar was once dominant in “Christian” thought. 
		The use of musical instruments in the worship of the churches is a 
		relatively recent development. Most Protestant churches in America did 
		not yield to the practice until the nineteenth century.
		
		The unadorned 
		simplicity of our spiritual singing is not a cultural statement but a 
		matter of faith — a response to the teaching of the New Testament.
		
		The worship of the 
		Old Testament church with its complex rituals was not simple. During the 
		intricate rites of the temple sacrifices a Levitical chorus was 
		commanded to sing and a Levitical orchestra to play 
		
		(II Chron. 29:25-28). 
		But the New Testament refers to the appointments of temple worship as 
		“carnal ordinances, imposed until a time of reformation” 
		
		(Heb. 9:10). 
		This reformation is dramatically illustrated by the total absence of any 
		reference in the New Testament to Christians worshipping God with 
		sacrificial animals, incense, lamps, choirs, or orchestras. There is 
		only the admonition for the disciples to speak to each other and to the 
		Lord in “psalms and hymns and spiritual songs” 
		
		(Eph. 5:19; Col. 3:16).
		
		Christian worship in 
		song is not a choral contest. Spiritual singing has spiritual ends. 
		Since God’s ways differ radically from our own 
		
		(Isa. 55:8-9) 
		it is of no 
		consequence that in the mind of some the absence of musical instruments 
		(or of devotional lamps and incense) diminishes the appeal of the 
		singing. What is important is that we have sufficient trust in God to 
		follow His instructions with the confidence that His methods achieve His 
		purposes.
		
		The silence of the 
		New Testament on instrumentally accompanied singing has had its impact 
		in history. The early centuries not only reveal no use of instrumental 
		music in worship but an expressed opposition to it as belonging to the 
		spiritual infancy of the Old Testament church. Eusebius of Caesarea 
		(early 4th century), commenting on 
		
		Psalm 91:2-3: 
		“Of old at the time those of the circumcision were worshipping with 
		symbols and types it was not inappropriate to send up hymns to God with 
		the psalterion and kithara...We render our hymns with a living 
		psalterion and a living kithara with spiritual songs. The unison voices 
		of Christians would be more acceptable to God than any musical 
		instrument.”
		
		Chrysostum (late 4th 
		century): “It was only permitted to the Jews, as sacrifice was, for the 
		heaviness and grossness of their souls. God condescended to their 
		weakness, because they were lately drawn from idols; but now, instead of 
		organs, we may use our own bodies to praise him withal.” Theodoret of 
		Cyrhus (early 5th century): “Question: If songs were invented by 
		unbelievers to seduce men, but were allowed to those under the law on 
		account of their childish state, why do those who have received the 
		perfect teaching of grace in their churches still use songs, just like 
		the children under the law? Answer: It is not simple singing that 
		belongs to the childish state, but singing with lifeless instruments, 
		with dancing, and with clappers. Hence the use of such instruments and 
		the others that belong to the childish state is excluded from the 
		singing in the churches, and simple singing is left” (Questions and 
		Answers for the Orthodox).
		
		The Roman Catholic 
		Church continued this opposition at least until the time of Thomas 
		Aquinas (1227-1274) who wrote: “Our church does not use musical 
		instruments, as harps and psalteries, to praise God withal, that she may 
		not seem to Judaize.” The Greek Church (Orthodox) has never used musical 
		instruments. Several Protestant reformers held to the same sentiment. 
		Calvin wrote that “musical instruments in celebrating the praises of God 
		would be no more suitable than the burning of incense, the lighting of 
		lamps, and the restoration of the other shadows of the law” (Commentary 
		on Psalm 33). Wesley was more succinct: “I have no objection to 
		instruments of music in our chapels provided they are neither heard nor 
		seen.”
		
		The use of 
		instruments in worship is not progress but a carnal retreat to spiritual 
		kindergarten. We should glory in the supreme spirituality of our 
		singing, sanctified by God and accompanied by the higher melody of our 
		hearts.
		  
		 Other Articles 
		by Paul Earnhart
		
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		The Search for Assurance
		
		A Living, Transforming Hope
		
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